Las óleos de todo Felicien Rops
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ID |
Image |
Painting (From A to Z) |
Details |
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94249 |
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Frontispice des Diaboliques de Jules Barbey d'Aurevilly |
1879
cjr |
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94252 |
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Human Pardon. The Hundert Unprententious Sketches to Cher Honest Pople |
1878-81
22 x 14,5 cm
cjr |
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94251 |
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Illustration du livre d'Octave Uzanne, Son altesse la femme - Hors texte en face de la page 22. |
1885
cjr |
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94250 |
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La Buveuse d'absinthe, Craie noire, aquarelle et gouache |
1877
cjr |
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94248 |
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La tentation de Saint Antoine |
1878
cjr |
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94244 |
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Pornocrates |
70 x 45 cm
English: 27 1/8 x 17 3/4 in
1896
cjr |
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94247 |
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Satan Sowing Seeds |
1882
cjr |
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23151 |
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The Beach (nn02) |
c 1878
Oil on canvas
16 1/8 x 23'' Royal Museums of Belgian Fine Arts Brussels |
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| Felicien Rops
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| Belgian Symbolist Engraver, 1833-1898
was a Belgian artist, and printmaker in etching and aquatint. Rops was born in Namur in 1833, and was educated at the University of Brussels. Rops's forte was drawing more than painting in oils; he first won fame as a caricaturist. He met Charles Baudelaire towards the end of Baudelaire's life in 1864, and Baudelaire left an impression upon him that lasted until the end of his days. Rops created the frontispiece for Baudelaire's Les Épaves, a selection of poems from Les Fleurs du mal that had been censored in France, and which therefore were published in Belgium. Rops's association with Baudelaire and with the art he represented won his work the admiration of many other writers, including Theophile Gautier, Alfred de Musset, St phane Mallarm, Jules Barbey d'Aurevilly, and Josephin Peladan. He was closely associated with the literary movement of Symbolism and Decadence. Like the works of the authors whose poetry he illustrated, his work tends to mingle sex, death, and Satanic images.
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